Thursday, April 30, 2009

How To Be A Man

What Is a Man? By Tom Chiarella

A man carries cash. A man looks out for those around him — woman, friend, stranger. A man can cook eggs. A man can always find something good to watch on television. A man makes things — a rock wall, a table, the tuition money. Or he rebuilds — engines, watches, fortunes. He passes along expertise, one man to the next. Know-how survives him. This is immortality. A man can speak to dogs. A man fantasizes that kung fu lives deep inside him somewhere. A man knows how to sneak a look at cleavage and doesn’t care if he gets busted once in a while. A man is good at his job. Not his work, not his avocation, not his hobby. Not his career. His job. It doesn’t matter what his job is, because if a man doesn’t like his job, he gets a new one.

A man can look you up and down and figure some things out. Before you say a word, he makes you. From your suitcase, from your watch, from your posture. A man infers.

A man owns up. That’s why Mark McGwire is not a man. A man grasps his mistakes. He lays claim to who he is, and what he was, whether he likes them or not.

Some mistakes, though, he lets pass if no one notices. Like dropping the steak in the dirt.

A man loves the human body, the revelation of nakedness. He loves the sight of the pale breast, the physics of the human skeleton, the alternating current of the flesh. He is thrilled by the snatch, by the wrist, the sight of a bare shoulder. He likes
the crease of a bent knee. When his woman bends to pick up her underwear, he feels that thrum that only a man can feel.

A man doesn’t point out that he did the dishes.

A man looks out for children. Makes them stand behind him.

A man knows how to bust balls.

A man has had liquor enough in his life that he can order a drink without sounding breathless, clueless, or obtuse. When he doesn’t want to think, he orders bourbon or something on tap.

Never the sauvignon blanc.

A man welcomes the coming of age. It frees him. It allows him to assume the upper hand and teaches him when to step aside.

Maybe he never has, and maybe he never will, but a man figures he can knock someone, somewhere, on his ass.

He does not rely on rationalizations or explanations. He doesn’t winnow, winnow, winnow until truths can be humbly categorized, or intellectualized, until behavior can be written off with an explanation. He doesn’t see himself lost in some great maw of humanity, some grand sweep. That’s the liberal thread; it’s why men won’t line up as liberals.

A man gets the door. Without thinking.

He stops traffic when he must.

A man resists formulations, questions belief, embraces ambiguity without making a fetish out of it. A man revisits his beliefs. Continually. That’s why men won’t forever line up with conservatives, either.

A man knows his tools and how to use them — just the ones he needs. Knows which saw is for what, how to find the stud, when to use galvanized nails.

A miter saw, incidentally, is the kind that sits on a table, has a circular blade, and
is used for cutting at precise angles. Very satisfying saw.

A man knows how to lose an afternoon. Drinking, playing Grand Theft Auto, driving aimlessly, shooting pool.

He knows how to lose a month, also.

A man listens, and that’s how he argues. He crafts opinions. He can pound the table, take the floor. It’s not that he must. It’s that he can.

A man is comfortable being alone. Loves being alone, actually. He sleeps.

Or he stands watch. He interrupts trouble. This is the state policeman. This is the poet. Men, both of them.

A man loves driving alone most of all.

Style — a man has that. No matter how eccentric that style is, it is uncontrived. It’s a set of rules.

He understands the basic mechanics of the planet. Or he can close one eye, look up at the sun, and tell you what time of day it is. Or where north is. He can tell you where you might find something to eat or where the fish run. He understands electricity or the internal-combustion engine, the mechanics of flight or how to figure a pitcher’s ERA.

A man does not know e
verything. He doesn’t try. He likes what other men know.

A man can tell you he was wrong. That he did wrong. That he planned to. He can tell you when he is lost. He can apologize, even if sometimes it’s just to put an end to the bickering.

A man does not wither at the thought of dancing. But it is generally to be avoided.

A man watches. Sometimes he goes and sits at an auction knowing he won’t spend a dime, witnessing the temptation and the maneuvering of others. Sometimes he stands on the street corner watching stuff. This is not about quietude so much as collection. It is not about meditation so much as considering. A man refracts his vision and gains acuity. This serves him in every way. No one taught him this — to be quiet, to cipher, to watch. In this way, in these moments, the man is like a zoo animal: both captive and free. You cannot take your eyes off a man when he is like that. You shouldn’t. The hell if you know what he is thinking, who he is, or what he will do next.

- May 2009 Issue of Esquire


10 Things That Make Me Terribly Happy:
1. talking the nights away
2. comfortable silence
3. flying kites
4. reading something, anything, anywhere, anytime
5. people watching
6. hot (and I mean hot ) showers
7. hot jasmine green pearl milk tea, almond pocky (eaten a special way ;]), popcorn chicken with (uneaten) basil, 72% cacao, amers' cupcakes, Love At First Bite cupcakes, original tart with strawberries, messy chillycheese fries, fruit, food <3 size="1">and the bonds it creates.

8. "I love you" (I know, i'm a sucker)
9. meeting new people and making friends
10. being silly with people :)

What makes you happy?


Jasmine and her boyf
riend levi live in a tiny studio apartment in Southern California.
"
We are, what you would call, monetarily challenged but still manage to have fun every day. This little blog chronicles our lives and gives me a place to share my thoughts, loves, photos, projects, and dreams. Do say hello if you stop by! :)"
Maybe they don't ex
actly epitomize the american dream, but the represent one of mine: poor and blissfully happy.
Go check them ou
t :)

I feel like i'm ages and ages late, but I love them anyways; I love the feeling of secretly peeking into other people's lives and realizing that, es, we do have things in commoonnn






Bubbles of a different sort




I came home today, ate my burrito, then just fell asleep for 7 hours.
Yes, 7 straight ones.
I didn't go running with manalo and e :( SORRY GUYS!!!!
I'm always feeling dry lately; I want to drink more (water, that is.)
I had a doughnut and a sugar crash and a high at lunch.
Strawberries taste really good with dried mangoes!

"Here, let me borrow your penis."
AWKWARD TURTLE MUCH


I think my strange dreams are back.

"You should name your car after me!"
"You haven't even been inside her yet"
".."
"..SEXUAL INNUENDOOOOO"



She covered her papers and continued scratching away with her bright mimosa pencil as she saw him peeking over her shoulder.
"I love love stories," he said, poking her gently. "Show me one."
She didn't want to.


Call me a safe bet
I'm betting I'm not
I'm glad that you can forgive
only hoping gas time goes you can forget

If it makes you less sad, i'll move out of the state
you can keep to yourself i'll keep out of your way

Tuesday, April 28, 2009

Facepaint


"I don't want someone to understand me, I don't want someone to think about me, I don't want someone to miss me when I'm away.

I want you.
All of you, all the time. I want every single piece of your being to belong to me, from the freckles on your back to the anxious thoughts that frequent your mind. I want you to feel safe and warm and loved and alive and I want to be your home and I want you to fucking need me in the same way that I need you.


But even more than that, I want to be yours. I want to be the open book on the table by your bed or your favorite t-shirt hanging around in the closet or whatever you need me to be."
weareinfinite


no studying, yeah?
i love scavenging.
e loves chocolatemoussepockythings
I do not have peanutbutterfever.
awkward smiles
2/3 conversations
indecisiveness
murdering crabs.




I'm unsatisfied with the way things are, and I'm unsure how to change them.
No, wait
I feel uncomfortable, awkward in my own skin. I feel reality rippling around me but i'm not moving.

I don't feel like a good person at all.
But I hate reminding myself that
I have to make peace with the fact I'm not, but i still have to try to be


www.eugeniorecuenco.com/
in love.



Exudes sexuality.


sleepy more later

Monday, April 27, 2009

Say anything







Sleepy today.
Not much unordinary.
Asked to perform a psychoanalysis on someone. Spoke off the top of my head. Baaaad idea.
Going to keep a hug tally.
Abby, kat, rhya, v, ant, oskar, jackiesmackie, andy, ah!
, stover
Today was stover's birthday :) a beautiful 58. she was some hotness in her senior portrait.


"why are they fighting :( "
"o.o not enough sex."
"That's your answer for everything"
" IT IS."

How to know if a guy is a bully

Instructions


Difficulty: Challenging
Step1 Learn the signs of bullying. Bullies make their victims feel bad about themselves as a way of exerting and maintaining control. Some of the tools they use are: constant criticism, insults, dismissive behavior and at the extreme, threats of violence.
Step2 Watch his behavior over time. Anyone can say a mean thing or insult someone without knowing it on occasion. But a bully does these things on purpose, and he does them over time, until his actions have a pattern. When you see a pattern, you see a bully.
Step3 Evaluate your own actions. Bullies depend on victims whom they can control. You're being a victim if you agree when he criticizes you or insults you, or if you make excuses for his behavior to yourself and to others. Find a counselor who can help you not to be a victim.
Step4 Confront the bully. Have ready specific examples to show how his behavior is hurting you. Tell him that you won't allow him to treat you badly, so if he wants to be in a relationship with you, he needs to start making changes immediately.
Step5 Decide whether to leave the relationship. If physical abuse is present, you must leave the relationship immediately for your own safety. If there is no physical violence, and if he is making honest efforts, like visiting a counselor, and if you see his behavior improve rapidly, you may decide to stay. However, if he refuses to change, you must leave, because it will not get better, and you need to protect yourself.

I didnt know e-how had this.


k: but i don't think you should compromise for the sake of other people
k: if you have a good reason for what you do
k: at least, that sounds right to me
mj: it does
mj: dont worry what people think, just be you kimbo

so proud of JokE :) Gonna visit you fools in Berkeley for sure
k: bro? you? a partiee?
jokE: HEY
jokE: WAT DOES THAT MEAN


jokE: u say watever u wanna say
jokE: and u just be urself

jokE: ur digging too deep kimmy


k: goodnight :) ty for talking to me bro
k: loves you
jokE: =)
jokE: anytime

my bro never fails to straighten out my logic <3


jlsquared: ....
jl: that
jl: is
jl: so
jl;: wonderful
jl: would u like a sticker?


jjl: La'Taniana'Bo'Vanashrianiqualiquanice
k: what does that mean?
jl: it's
jl: my
jl: name

Sunday, April 26, 2009

26.4.09




"Das Leben. Waere vielleicht einfacher wenn ich dich nicht getroffen haette.
Es waere nur nicht mein Leben."

-Erich Fried

Typish, dass Jungen immer mich enttaeuschen.
Immer.


Thanks Asu =( I owes you big time.

AY, you have sweaty hands roffle.
Thanks TV, for letting me sleep on your couch.
















I guess it hurts.
Not like you remember.
"what? no way! i thought i was dreaming"
fuck you fuck you fuck you



Friday, April 24, 2009

It Doesn't Interest Me What You Do For A Living





I want to know what you ache for, and if you dare to dream of meeting your heart’s longing. It doesn’t interest me how old you are. I want to know if you will risk looking like a fool for love, for your dream, for the adventure of being alive. It doesn’t interest me what planets are squaring your moon. I want to know if you have touched the center of your own sorrow, if you have been opened by life’s betrayals or have become shriveled and closed from fear of further pain! I want to know if you can sit with pain, mine or your own, without moving to hide it or fade it, or fix it.

I want to know if you can be with joy, mine or your own, if you can dance with wildness and let the ecstasy fill you to the tips of your fingers and toes without cautioning us to be careful, to be realistic, to remember the limitations of being human. It doesn’t interest me if the story you are telling me is true. I want to know if you can disappoint another to be true to yourself; if you can bear the accusation of betrayal and not betray your own soul; if you can be faithless and therefore trustworthy.

I want to know if you can see beauty even when it’s not pretty, every day, and if you can source your own life from its presence. I want to know if you can live with failure, yours and mine, and still stand on the edge of the lake and shout to the silver of the full moon, “Yes!” It doesn’t interest me to know where you live or how much money you have. I want to know if you can get up, after the night of grief and despair, weary and bruised to the bone, and do what needs to be done to feed the children.

It doesn’t interest me who you know or how you came to be here. I want to know if you will stand in the center of the fire with me and not shrink back. It doesn’t interest me where or what or with whom you have studied. I want to know what sustains you, from the inside, when all else falls away. I want to know if you can be alone with yourself and if you truly like the company you keep in the empty moments.

Oriah Mountain Dreamer

Thursday, April 23, 2009

A Relationship without Boundaries


How very strange.

Except I know that i would maul/hug everyone too, if we had that sort of relationship.

I suppose for now, I'll put up with weird stares and questions about us from people who read too much into things.

the trade-off is worth it!

I like hugs, but I'm too afraid to give them to people who i normally don't give them to (people who receive hugs from me not uncomfortably regularly: 4 6)
how lame.




I want to hug people, I just don't' think they'll accept it.
Plus, I don't' like giving hugs as "greetings"
I like giving hugs because I want to hug you
and because I think you need them.


...is this what they call "friends with benefits" ?


Hmmmmmmmm
I know there's no chance of us ever ever getting together, or liking each other
Despite what all the 20938432048239-48234093846098342 people say at school
So it makes it safe to go to you for comfort.
No chance of you going
"SURPRISE. I'M INTERESTED IN YOU NOT PLATONICALLY"
However, I think i'm cockblocking myself
Which really isn't' a problem, until i think about TNB.
Because TNB probably reads too much into things & the fact that o's the only guy that i feel comfortable mauling
& we talk about everything, esp. girls for him and guy (SINGULAR) for me
which really doenst make us prime couple-material.
people piss me off. i guess if they didnt' keep bringing up the fact that we're close, no one'd think it was out of the ordinary.
JUST CAUSE I'M NOT CLOSE WITH A VAST AMOUNT OF PEOPLE DOESN'T MEAN I LIKE LIKE THE ONES THAT ARE.


sigh.
i like tnb.
sort of.
or i want to give TNB hugs.

But i'm not going to stop giving o hugs just cause people think we have "a thing"
so stupid.

ANYWAYS
I know i wouldnt care about me and o
if TNB was not TNB
Because I believe he thinks me and o are a thing also

grumble grumble
i hate it when a relationship is defined by other people.
we are who we are, why are you catagorizing us
maybe this is something you've never seen before, bitches. (just kidding, i'm just being difficult)
because we're not going to get together. ever. please. effing. jesus. no.


I'm not going to write you love poems.
This is going to be a love song
that starts with you
and ends with me
like a song come undone.

But I do like TNB.

Yum, i love cockblocking myself.
But this i what I wanted
I wanted a challenge to find me, not for some random ass guy to suddenly find me.
The risk is too big when they leave

Wednesday, April 22, 2009

Perfectly Imperfect









Edit: In an effort to cut down the number of posts, i will try and minimize everything to one per day!
I'm feeling pretty damn special.
People remembering my weird quirks for more than half a year ago? check.
jOke: oh
jOke: i drew a
jOke: fart cloud
jOke: on matt';s hand
jOke: took pic on phone

People trusting me? check.
" 9.5" Eat that, JL >)

Innuendo? check
DW: hey kim.
DW: i think we shoudl exercise (;

:D? check check check check.
V: you know what i noticed about you?
K: what?
V: you're really special.
V: there's something unique about you.


k: i'm really happy i got to know you this year
k: i would've missed out, most def
v: me too.
k: (:

k: my mood just increasedx03984
v: glad to hear that
v: no sarcasm
v: lol
:D


e: i played where's waldo
e: with your picture
e: LOLOLOL.
e: stop texting.
k: TEXTING YOU, BZ
e: OH
e: NOWAY
e: REALLY?
e: LOLOOLLOL
e: <333
e: <3
e: DON'T STOP.

JL: WHO'S YOUR FAVORITE
JL: LOOOOL
JL: (<------)
K: LOL
K: WOW FISHING FOR COMPLIMENTS MUCH
JL: not fishing, hunting
K: i think you're pretty =)
JL: WHOAOHWOHOAWHWOHOAWOHAOWHAWO
JL: HEARTBEAT SKIP MUCH?

Ghost in the Machine - iri5



"In this series I showcase a number of portraits of musicians made out of recycled cassette tape with original cassette. Also included are portraits made from old film and reels. The idea comes from a philosopher's (Ryle) description of how your spirit lives in your body. I imagine we are all, like cassettes, thoughts wrapped up in awkward packaging. : ) "

I didn't know anyone did this, or that it was popular! But I think that iri5's set combines simple, clean, old-school in a pop art kind of way. It's aesthetically appealing, most definitely and i'm sad at not being able to recognize the other pieces :(

Tuesday, April 21, 2009

Just thought I'd mention



JonCan goes to my school now
Blows my mind
I'm excited to hang out with him
Except I kind of couldn't help repeating "oh my god" over and over again when i saw him
I'm glad he called me out, otherwise I know i would have never seen him around, much less recognized him. (I mean i haven't seen my cousin around school for the entire 3 months he's been here)
And he was smart enough to ask for my number (unlike me)
" Hey! Kim! What's your number?"
"huh?"
"So I can find you again"

Blast from the past, most definitely.
So this is what it's like going to school with people you've known since the second grade.

Edit:
Oh yeah! :)
Stover called me cute today ahahaha
"how are you feeling?"
"about what?"
"your neck"
"oh. its fine! i put bengay on it :D"
"...you're so cute"
i wonder why no one else likes the smell of bengay. it reminds me of my grandparents :)
i accidentally cracked up today in chem :X not paying attention... i giggled a lot. talking to no one. stares.
explained my train of thought to amers and she..... sigh.
" well i thought of a story of a guy cleaning up his girlfriend then i thought of how my friend had four naked white guys in his bathroom then of how that guy shoved a gummybear up his nose. then i started laughing."
uneventful day. got a pretty cool text from this one guy, though.
" you'll be my princess and i'll be your toad...<3"

k: plus, boys only want one thing :]
DW: STEAK
yes. We're all learning!



JLsquared

jeff and JL are creepfaces >:O


Edit:
JL&JL
= 2JL
or
=JLsquared
or maybe
= JJLL
or maybe
....
creepers :D loves jefferson

Monday, April 20, 2009

Life's Medicine Cabinet


Yes.
That could've gone much worse.
Maybe i screamed and cried it all out of me, but i feel much better!

I hope I'm not doing this for myself. But I care, and something tears at me to see this.
I know there's better than this.


I see other things, other people, other problems reflected in you.


I don't know how to not care about people. When people leave (because, of course, nothing lasts forever) they leave holes in me. Little people-shaped holes, and it seems to me that i'm vainly trying to do everything just to keep loving and keep stomping my way through life.

Surely, this isn't right.
Affection shouldn't shock or surprise.
Clearly, I should be trying harder.



oskar: idk what i'm suppose to say
oskar: i feel
oskar: exalted
oskar: lol
oskar: revered by your love

k: i care about you
v: THANKS ^^
k: -.= i hope you're not being sarcastic
k: and i'm also telling you this because
k: remember before i asked you how you not care about people
k: i don't know how to do that
k: so you're stuck with me
k: =.-
v: it's a gift and a curse >:]
v: i'm not being sarcastic, i really appreciate it
v: no one have told me that since forever.



"Understand," she begged. "That's all i want from you. The best for you"



Let's go back to the basics.

I am called by God to love other people.

I'm going to spend tomorrow trying to love as best i can. this usually results in frustration (and some leakyness of the eyes)
HOWEVER


Jesus, this only reminds me of what i want to do...



I will love harder. There's too little of it, anyways.




Edit:
Soooooo....
today i was ridiculously happy to see oskar :D i have no idea why. it was like a childish happiness and excitement. No particular reason, I just discovered that I missed him! And I couldn't stop hugging him and telling him so. Quite odd. Maybe my brain was just inflated with happy feelings, but I just felt all loveydovey towards him (I hope no one's interpreting this the wrong way)
And I ran to pick up e from work :) That was fun! I like screaming walking rants
i really like those two :X idk i'm feeling absurdly content with spending days and days just squeezing the life out of them.
Oh! And i saw tina at school today! She's so adorable i just want to squeeze her till she drops dead :)
adorable adorable.
TNB was pretty crazy, but smiled a lot more, and I love seeing that. I just wish it wasn't only when TNB was brushing his teeth. Laughs a lot more, too. and friendly.

Sunday, April 19, 2009

Good morning




Hello, sunrise and cows and dogs and juice boxes and reese's and cars and teacups
Hello, sitting for 4 hours inside Denny's. We're sorry for occupying your space.
Hello, car like teacup
Hel-LO, six hour nap
"Kim! do you know who this is?"
"Jl?"
"yeah! wanna coem play mahjong?!"
"where?"
"brady's house"
"where"
"by hostetter"
"where"
"brady's house"
"Where?!"
"now"
Hello, unsettling dreams :(
Hello, kicking ass at mahjong.
Hello, new people :) and old. Don & Eric!
Hello, bleeding gauges.
Hello, big feet :(
Hello, muscles the size of Eric's neck.
Hello, odd and nasty stories


" DROP ME OFF FIRST, GUYS"


Edit: hello, its 3:09 am.

jj: first to sleep loses
k: you're so on
j: k
kk: you should never challenge me
k: i'm like crazy competitive.
j: last day of break
j: this is
j: srs stuff


j: If you read this, you're in the game.

Only rule of the game: stay awake for tonight. You sleep, you lose.



i am tired.
k: you are tired.
k: we should call a truce.
j: OK
j: TRUCE
j: BYE
j: NEWED TO SLEEp
j: SOPOOOO TIRED
LOL

j: night kimberly
k: night
riceareforASIANS signed off at 3:06:43 AM.
riceareforASIANS signed off at 3:06:43 AM.
riceareforASIANS is offline and will receive your IMs when signing back in.
k: I WIN.

OWNED IN THE FACE.



Friday, April 17, 2009

Day


click me to make me bigger :)

James' work: smoothing 5 pictures together
Ironically, I watched this sunset from Suncrest while he did it from 4th and San Fernando.
"Hey, This kinda looks like today's sunset. when was this?"
"today. did you see it, too?"

Gorgeous :)

teh funnay

k: i have giant trust issues
k: with anyone i've met after 09 it seems
k: that is male.
k2: giant trust issues
k2: giants are generally trustworthy
k2: once you get to know them
k2: don't trust ogres though
k2: a dirty lot
k: but what about shrek?
k2: a liar
k2: they only show his good side on the movies
k2: and his best friend's an ass
k2: ba-dum-psh


:)

Wednesday, April 15, 2009

sunset


Sometimes, I really do not
enjoy the person I am.



sigh.



it's a process, though, i suppose.



okay, let's work this out!

Dear V,
i'm really sorry.
There isn't a real excuse for what I did, and it was wrong.
Maybe I'm just making a big deal out of nothing.
I regret doing it.
Kimbo.

ARGHGHGHGHH I HATE REGRETS!!!!!




on the bright side, today i walked/jogged/ran/meandered up Suncrest for the sunset
all
by
my
self.
i'm pretty damn proud of it, too.
so with the sun receding behind the mountains, i watched city lights flicker on across the city, a gusty wind dipping and swirling across the city.
It was glorious.
and cold.
and i had blisters.

5 miles, y'hear? :)


BUT SERIOUSLY, WHY IS THIS BOTHERING ME SO MUCH!?!
I SHOULD NOT CARE ABOUT SOMEONE WHO'S DISAPPOINTED ME.
THIS IS SO STUPID.
THERE HAS TO BE A REASON.


i fail at life. -.= that's pretty much what's repeating in my head.

Equate


"I give up," she said. "I don't believe in this sort of thing anymore."




i wanted you to win. I wasn't on your side, but I was rooting for you.

Never, ever ever ever again.

Monday, April 13, 2009

Pineapples and Spaghetti

I'm in love with a two year old girl.
Eva, you are ADORABLE.


yeah. I said it.


Jessie you are so cute.


Visited V's grandmother's house today :)
cute cute cute
got work done!
LOL flourless bread. you asked for it.
hot jasmine pearl teas, please.
study interruptions
pure. bullshit.
piss. me. off.
idiocy.
who the hell doesn't know what sweeney todd is?
freaking.
what the hell.
i hate you. gahhh
going to see eva again tomorrow :)

A Contemplation on Music

Welcome address to parents of the incoming freshman class at Boston
Conservatory, given by Karl Paulnack, pianist and director of the
music division at Boston Conservatory.

------
One of my parents' deepest fears, I suspect, is that society would
not properly value me as a musician, that I wouldn't be appreciated.
I had very good grades in high school, I was good in science and
math, and they imagined that as a doctor or a research chemist or an
engineer, I might be more appreciated than I would be as a musician.
I still remember my mother's remark when I announced my decision to
apply to music school-she said, "you're WASTING your SAT scores." On
some level, I think, my parents were not sure themselves what the
value of music was, what its purpose was. And they LOVED music, they
listened to classical music all the time. They just weren't really
clear about its function.

So let me talk about that a little bit, because we live in a society
that puts music in the "arts and entertainment" section of the
newspaper, and serious music, the kind your kids are about to engage
in, has absolutely nothing whatsoever to do with entertainment, in
fact it's the opposite of entertainment. Let me talk a little bit
about music, and how it works.

The first people to understand how music really works were the
ancient Greeks. And this is going to fascinate you; the Greeks said
that music and astronomy were two sides of the same coin. Astronomy
was seen as the study of relationships between observable, permanent,
external objects, and music was seen as the study of relationships
between invisible, internal, hidden objects. Music has a way of
finding the big, invisible moving pieces inside our hearts and souls
and helping us figure out the position of things inside us. Let me
give you some examples of how this works.

One of the most profound musical compositions of all time is the
Quartet for the End of Time written by French composer Olivier
Messiaen in 1940. Messiaen was 31 years old when France entered the
war against Nazi Germany. He was captured by the Germans in June of
1940, sent across Germany in a cattle car and imprisoned in a
concentration camp.

He was fortunate to find a sympathetic prison guard who gave him
paper and a place to compose. There were three other musicians in the
camp, a cellist, a violinist, and a clarinetist, and Messiaen wrote
his quartet with these specific players in mind. It was performed in
January 1941 for four thousand prisoners and guards in the prison
camp. Today it is one of the most famous masterworks in the
repertoire.

Given what we have since learned about life in the concentration
camps, why would anyone in his right mind waste time and energy
writing or playing music? There was barely enough energy on a good
day to find food and water, to avoid a beating, to stay warm, to
escape torture; why would anyone bother with music? And yet, from the
camps, we have poetry, we have music, we have visual art. It wasn't
just this one fanatic Messiaen; many, many people created art.

Why?

Well, in a place where people are only focused on survival, on the
bare necessities, the obvious conclusion is that art must be,
somehow, essential for life. The camps were without money, without
hope, without commerce, without recreation, without basic respect,
but they were not without art. Art is part of survival; art is part
of the human spirit, an unquenchable expression of who we are. Art is
one of the ways in which we say, "I am alive, and my life has
meaning."

On September 12, 2001, I was a resident of Manhattan. That morning I
reached a new understanding of my art and its relationship to the
world. I sat down at the piano that morning at 10 AM to practice as
was my daily routine; I did it by force of habit, without thinking
about it. I lifted the cover on the keyboard, and opened my music,
and put my hands on the keys and took my hands off the keys. And I
sat there and thought, does this even matter? Isn't this completely
irrelevant? Playing the piano right now, given what happened in this
city yesterday, seems silly, absurd, irreverent, pointless. Why am I
here? What place has a musician in this moment in time? Who needs a
piano player right now? I was completely lost.

And then I, along with the rest of New York, went through the journey
of getting through that week. I did not play the piano that day, and
in fact I contemplated briefly whether I would ever want to play the
piano again. And then I observed how we got through the day. At least
in my neighborhood, we didn't shoot hoops or play Scrabble. We didn't
play cards to pass the time, we didn't watch TV, we didn't shop, we
most certainly did not go to the mall. The first organize activity
that I saw in New York, that same day, was singing. People sang.
People sang around fire houses, people sang We Shall Overcome. Lots
of people sang America the Beautiful. The first organized public
event that I remember was the Brahms Requiem, later that week, at
Lincoln Center, with the New York Philharmonic. The first organized
public expression of grief, our first communal response to that
historic event, was a concert. That was the beginning of a sense that
life might go on. The US Military secured the airspace, but recovery
was led by the arts, and by music in particular, that very night.*

From these experiences, I have come to understand that music is not
part of "arts and entertainment," as the newspaper section would have
us believe. It's not a luxury, a lavish thing that we fund from
leftovers of our budgets, not a plaything or an amusement or a pass-
time. Music is a basic need of human survival. Music is one of the
ways we make sense of our lives, one of the ways in which we express
feelings when we have no words, a way for us to understand things
with our hearts when we can't with our minds.

Some of you may know Samuel Barber's heart-wrenchingly beautiful
piece, Adagio for Strings. If you don't know it by that name, then
some of you may know it as the background music which accompanied the
Oliver Stone movie Platoon, a film about the Vietnam War. If you know
that piece of music either way, you know it has the ability to crack
your heart open like a walnut; it can make you cry over sadness you
didn't know you had. Music can slip beneath our conscious reality to
get at what's really going on inside us the way a good therapist does.

I bet that you have never been to a wedding where there was
absolutely no music. There might have been only a little music, there
might have been some really bad music, but I bet you there was some
music. And something very predictable happens at weddings - people
get all pent up with all kinds of emotions, and then there's some
musical moment where the action of the wedding stops and someone
sings or plays the flute or something. And even if the music is lame,
even if the quality isn't good, predictably 30 or 40 percent of the
people who are going to cry at a wedding, cry a couple of moments
after the music starts.

Why?

The Greeks. Music allows us to move around those big invisible pieces
of ourselves and rearrange our insides so that we can express what we
feel even when we can't talk about it. Can you imagine watching
Indiana Jones or Superman or Star Wars with the dialogue but no
music? What is it about the music swelling up at just the right
moment in ET so that all the softies in the audience start crying at
exactly the same moment? I guarantee you, if you showed the movie
with the music stripped out, it wouldn't happen that way. The Greeks:
Music is the understanding of the relationship between invisible
internal objects.

I'll give you one more example, the story of the most important
concert of my life. I must tell you I have played a little less than
a thousand concerts in my life so far. I have played in places that I
thought were important. I like playing in Carnegie Hall; I enjoyed
playing in Paris; it made me very happy to please the critics in St.
Petersburg. I have played for people I thought were important; music
critics of major newspapers, foreign heads of state. The most
important concert of my entire life took place in a nursing home in
Fargo, ND, about 4 years ago.

I was playing with a very dear friend of mine who is a violinist. We
began, as we often do, with Aaron Copland's Sonata, which was written
during World War II and dedicated to a young friend of Copland's, a
young pilot who was shot down during the war. Now we often talk to
our audiences about the pieces we are going to play rather than
providing them with written program notes. But in this case, because
we began the concert with this piece, we decided to talk about the
piece later in the program and to just come out and play the music
without explanation.

Midway through the piece, an elderly man seated in a wheelchair near
the front of the concert hall began to weep. This man, whom I later
met, was clearly a soldier-even in his 70's, it was clear from hi
buzz-cut hair, square jaw and general demeanor that he had spent a
good deal of his life in the military. I thought it a little bit odd
that someone would be moved to tears by that particular movement of
that particular piece, but it wasn't the first time I've heard crying
in a concert and we went on with the concert and finished thepiece.

When we came out to play the next piece on the program, we decided to
talk about both the first and second pieces, and we described the
circumstances in which the Copland was written and mentioned its
dedication to a downed pilot. The man in the front of the audience
became so disturbed that he had to leave the auditorium. I honestly
figured that we would not see him again, but he did come backstage
afterwards, tears and all, to explain himself.

What he told us was this: "During World War II, I was a pilot, and I
was in an aerial combat situation where one of my team's planes was
hit. I watched my friend bail out, and watched his parachute open,
but the Japanese planes which had engaged us returned and machine
gunned across the parachute chords so as to separate the parachute
from the pilot, and I watched my friend drop away into the ocean,
realizing that he was lost. I have not thought about this for many
years, but during that first piece of music you played, this memory
returned to me so vividly that it was as though I was reliving it. I
didn't understand why this was happening, why now, but then when you
came out to explain that this piece of music was written to
commemorate a lost pilot, it was a little more than I could handle.

How does the music do that? How did it find those feelings and those
memories in me?"

Remember the Greeks: music is the study of invisible relationship>
between internal objects. This concert in Fargo was the most
important work I have ever done. For me to play for this old soldier
and help him connect, somehow, with Aaron Copland, and to connect
their memories of their lost friends, to help him remember and mourn
his friend, this is my work. This is why music matters.

What follows is part of the talk I will give to this year's freshman
class when I welcome them a few days from now. The responsibility I
will charge your sons and daughters with is this:

"If we were a medical school, and you were here as a med student
practicing appen..omies, you'd take your work very seriously
because you would imagine that some night at 2:00 AM someone is going
to waltz into your emergency room and you're going to have to save
their life. Well, my friends, someday at 8:00 PM someone is going to
walk into your concert hall and bring you a mind that is
confused, a heart that is overwhelmed, a soul that is weary. Whether
they go out whole again will depend partly on how well you do your
craft.

"You're not here to become an entertainer, and you don't have to sell
yourself. The truth is you don't have anything to sell; being a
musician isn't about dispensing a product, like selling used Chevies.
I'm not an entertainer; I'm a lot closer to a paramedic, a
firefighter, a rescue worker. You're here to become a sort of
therapist for the human soul, a spiritual version of a chiropractor,
physical therapist, someone who works with our insides to see if they
get things to line up, to see if we can come into harmony with
ourselves and be healthy and happy and well.

"Frankly, ladies and gentlemen, I expect you not only to master
music; I expect you to save the planet. If there is a future wave of
wellness on this planet, of harmony, of peace, of an end to war, of
mutual understanding, of equality, of fairness, I don't expect it
will come from a government, a military force or a corporation. I no
longer even expect it to come from the religions of the world, which
together seem to have brought us as much war as they have peace. If
there is a future of peace for humankind, if there is to be an
understanding of how these invisible, internal things should fit
together, I expect it will come from the artists, because that's what
we do. As in the concentration camp and the evening of 9/11, the
artists are the ones who might be able to help us with our internal,
invisible lives."